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March 2007 Archives

Reviewed by John Glover, Reference Librarian for the Humanities

nightpicnic.gif Night Picnic: Poems is a fine 2001 collection by Charles Simic, the Pulitzer Prize-winning Yugoslavian-born poet best known for surreal, often dark work. The poems presented here are clearly the work of an older poet, confident in himself and in his work. The poems' narratives are stronger than those of Jackstraws, his deeply imagistic 1999 collection, and more relaxed than the tight, spare pieces prevalent earlier in his career, as represented in 1982's Austerities.

Much of Simic's poetry in the past has sprung from the horrors of World War II and its aftermath in Eastern Europe. Along with Czeslaw Milosz, his somewhat older Polish contemporary, Simic has done much to bring the rhythms and life the "Other Europe" to the English-speaking world. Night Picnic is clearly Simic's work, from the "butchery of the innocent" to the confused wanderers of nameless cities:

… they do not see anyone,
Nor do they catch sight of themselves
In dusty store windows
Drifting in the company of white clouds.

Many of the poems here are playful, and that playfulness often appears in the juxtaposition of apparently unrelated objects: "[t]wo pebbles from the grave of a rock star, / [a] small, grinning windup monkey." Here more than ever before, the poet takes an earthy delight in the rituals of human love and lust. While still recognizably the work of Charles Simic, many of these poems read like the work of a man whose burdens have been, if not lifted, then at least lightened.

Cabell Library PS3569.I4725 N54 2001

Cabell Library PS3569.I4725 J33 1999 (Jackstraws)
Cabell Library PS3569.I4725 A95 1982 (Austerities)

Reviewed by John Glover, Reference Librarian for the Humanities

fragile.gif Fragile Things: Short Fictions and Wonders is an Aladdin's cave of treasures, containing more than thirty short stories, poems, vignettes, and literary forms in between. From a novella about a modern-day demigod's travels in Scotland, to a short story about some far-out exchange students, to a set of poetic instructions for traversing fairy tales, Neil Gaiman's creations are above all stories. Even at their most clever and postmodern, his works have the authentic ring of tales passed on at campfires, or shared by strangers waiting for a plane.

"October in the Chair" is a standout tale of childhood sorrow, worthy of its dedication to Ray Bradbury, and is one of several pieces here dealing with young people. Gaiman's pleasure in playing in other writers' sandboxes is clear in the Arthur Conan Doyle/H. P. Lovecraft mashup "A Study in Emerald," as well as in "The Problem of Susan," wherein he gives C. S. Lewis' Susan Pevensie a much-deserved second look. "Bitter Grounds" tells the story of one man's journey to transfiguration in New Orleans. Gaiman's exquisite command of myth is also on display in this collection, from the titular creature of "Sunbird" to the cleverly deployed figures of Northern European myth in "The Monarch of the Glen." Many of these pieces are stories about stories, with all the literary embroidery that entails, from various framing devices (the book's introduction, for one...) to the commentary on the conflict between realism and the Gothic that is "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire."

Many pieces in this volume wend through dark territories - some gruesome, others purely disturbing. While plenty of these "short fictions and wonders" will delight and amaze, Fragile Things is not for the faint-hearted. If you want more after reading it, check out American Gods, a novel featuring the protagonist of this collection's "The Monarch of the Glen," or try one of the collected volumes of Gaiman's landmark Sandman comic series.

Cabell Library PR6057.A319 F73 2006

Celebrating Black History Month at the VCU Libraries

Reviewed by Patricia Selinger, Head of Preservation

incidents.gif This book was the first full-length narrative written by a slave in America. When it was originally published in 1861 it created a heated controversy. Those for slavery denounced it as fiction, written by and for abolitionists. It was said that a real slave, even one who had been taught to read and write, could never write so well. That the author used a pseudonym for herself and the people she wrote about only added to the argument against the book's authenticity. Controversy aside, the book stands on its own as a narrative of a woman born into slavery in Edenton, North Carolina in 1813. To escape she hid for seven years in a small attic over a store room waiting for the right opportunity, which finally came when she was 29. Even then she had to hide in northern cities from her pursuers -- bounty hunters and her former master’s family.

This book revealed to me the complicity of society in the slave economy. I had deluded myself into thinking that those who did not own slaves were somehow removed from slavery. Yet they were public servants and businessmen and laborers who all benefited from slavery. Accounts describing townspeople raiding slave cabins to take whatever they pleased, even under the eye of the owner, angered me. Descriptions of her master's sexual harassment and torment appealed to women, then and now, to have compassion and denounce slavery. Her master's pride demanded compliance which she never gave. Yet she did compromise her principles and gave herself to an unmarried landowner of a higher class, by whom she had two children. While this effectively prevented her owner from raping her, it didn’t stop him from constantly reminding her of what he could do…if he wanted. She was not alone in her torment. Her sexual decisions were a source of shame to her, but they also demonstrated how she had at least exercised her freedom of choice. Many women of the time had no such freedom. I gained new insight into the fate of slave women who had both color and gender working against them.

Harriet Jacobs' life is admirable for overcoming obstacles and purity of purpose. After 1865 she was active in the Freedman's Bureau and organized education, health care, and necessities for African-Americans making the transition to freedom. Her life and values are a shining example for us all to do more to help others and follow our ideals.

The library’s copy of this book is a Norton Critical Edition which provides extra material to put the book in context. It includes letters that authenticate the work as that of Harriet Jacobs, other works by Jacobs, reviews at the time of its publication, published articles, and criticism, which are a compelling aside. I highly recommend this book.

Cabell Library E444 .J17 2001