February 2009 Archives

Celebrating Black History Month at the VCU Libraries

The Jazz Trope takes a look at the African American lifestyle through the lens of jazz, blues, and spirituals. Through the pioneering efforts of Albert Murray, Ralph Ellison, Houston Baker, Henry Louis Gates, Jr., Ishmael Reed, Amiri Baraka, and other notable scholars who have related jazz, spirituals, and blues to African American life and culture, The Jazz Trope offers an opportunity to add scholarship to the perception of African American identity as a creative attempt to survive a unique history and struggle.

Transcending structure and the perimeters that it limits, African American musical statements were produced out of a human need to be free. Using jazz as a metaphor for escaping slavery, jazz can be seen as a creative attempt to exceed restriction through the act of improvisation; jazz takes a known melody and changes it to create a personal identity. The literary genre of African American life reflects this melding of musical milieu. It tells through tropes of the folktale, novel, self-script, slave narrative, myth, and legend a unique American experience and history.

Cabell Library PS153.N5 H37 2008

Note: Quick Picks are new to the collection. Some may not yet have reached the shelves. If you want to check out an item that is not yet available, click the "Is this item available?" link in the catalog record, then click the "Request" link.

Celebrating Black History Month at the VCU Libraries

A renowned law professor's intimate chronicle of her family's history as pioneers of social justice, and the price her father paid for their achievements.

During Reconstruction, Herschel V. Cashin was a radical republican legislator who championed black political enfranchisement throughout the South. His grandson, Dr. John L. Cashin, Jr., inherited that passion for social justice and formed an independent Democratic party to counter George Wallace's Dixiecrats, electing more blacks to office than in any Southern state. His "uppity" ways attracted many enemies. Twice the private plane Cashin owned and piloted was sabotaged. His dental office and boyhood home were taken by eminent domain. The IRS pursued him, as did the FBI. Ultimately his passions would lead to ruin and leave his daughter, Sheryll, wondering why he would risk so much.

In following generations of Cashins through the eras of slavery, Reconstruction, Jim Crow, civil rights, and post-civil rights political struggles, Sheryll Cashin conveys how she came to embrace being an agitator's daughter with humor, honesty, and love.

Cabell Library E185.93.A3 C37 2008

Note: Quick Picks are new to the collection. Some may not yet have reached the shelves. If you want to check out an item that is not yet available, click the "Is this item available?" link in the catalog record, then click the "Request" link.

Celebrating Black History Month at the VCU Libraries

The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices.

Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century.

Cabell Library PS153.N5 B563 2007

Note: Quick Picks are new to the collection. Some may not yet have reached the shelves. If you want to check out an item that is not yet available, click the "Is this item available?" link in the catalog record, then click the "Request" link.

Celebrating Black History Month at the VCU Libraries

At the age of 17, Samuel L. Broadnax--enamored with flying--enlisted and trained as a pilot at the Tuskegee Army Air Base. Although he left the Air Corps at the end of the Second World War, his experiences inspired him to talk with other pilots and black pioneers of aviation. Blue Skies, Black Wings recounts the history of African Americans in the skies from the very beginnings of manned flight.

From Charles Wesley Peters, who flew his own plane in 1911, and Eugene Bullard, a black American ace with the French in World War I, to the 1945 Freeman Field mutiny against segregationist policies in the Air Corps, Broadnax paints a vivid picture of the people who fought oppression to make the skies their own.

Cabell Library TL539 .B75 2007

Note: Quick Picks are new to the collection. Some may not yet have reached the shelves. If you want to check out an item that is not yet available, click the "Is this item available?" link in the catalog record, then click the "Request" link.