May 2010 Archives

Informal in tone yet serious in content, this book serves as a lively and accessible guide for readers discovering the tradition of political thought that dates back to Socrates and Plato. Because the arguments of the great philosophers are nearly eternal, even those long schooled on politics will find that this book calls on recurring questions about morality and power, justice and war, the risk of democracy, the necessity for evil, the perils of tolerance, and the meaning of happiness. Jeffrey Abramson argues politics with the classic writers and draws the reader into a spirited conversation with contemporary examples that illustrate the enduring nature of political dilemmas. As the discussions deepen, the voices of Abramson's own teachers, and of the students he has taught, enter into the mix, and the book becomes a tribute not just to the great philosophers but also to the special bond between teacher and student.

As Hegel famously noted, referring to the Roman goddess Minerva, her owl brought back wisdom only at dusk, when it was too late to shine light on actual politics. Abramson reminds us that there are real political problems to confront, and in a book filled with grace and passion, he captures just how exciting serious learning can be.

Cabell Library JA81 .A32 2009

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Beginning with John Winthrop's "city upon a hill" sermon in 1630, American culture has been informed by a sense of its own exceptional nature. The notion of the Western hemisphere as a new world, a place filled with possibility and even magic, goes back to the initial voyages of Columbus, while the American Revolution gave even more impetus to the idea that the United States was a special place with a unique mission. As a result, America has always attempted to define itself through a network of invented myths and national narratives. Red, White, and Spooked details the development of our national myths which can be seen underlying the genres of country and film noir, the characters of Superman, Batman, and Spiderman, television hits like Deadwood and NYPD Blue, and the Pirates of the Caribbean and Lord of the Rings franchises as well.

This culture-spanning investigation begins with a historical survey of supernatural and superhuman themes in American culture, concluding with the recent upsurge that began in the 1990s. It then turns to a number of thematic chapters that discuss various works of recent popular culture with supernatural and superhuman themes - such as The X-Files, Smallville, The 4400, Medium, Heroes, Lost, and The Dead Zone - organized according to the desires to which these works commonly respond. The object here is to try and see what these fantasies can reveal about what it means to be American today, and what we still want it to mean.

Cabell Library P94.65.U6 B66 2009

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Fred Astaire defined elegance on the dance floor. With white tie, tails and a succession of elegant partners - Ginger Rogers, Cyd Charisse, Rita Hayworth, Eleanor Powell, Judy Garland and others - he created an indelible image of the Anglo bon vivant. His origins, though, were far more humble.

Born in Omaha, Nebraska, Fred Astaire came from Midwestern stock that partially had its origin in the late nineteenth century Jewish communities of Austria. At first, he played second fiddle in vaudeville to his sister, Adele; however, once he learned how to tap and bought his first Brooks Brothers suit, the game changed. How did he transform himself from a small town Nebraska boy into the most sophisticated man ever to dance across a dance floor?

In this comprehensive new book about the life and artistry of Fred Astaire, Peter Levinson looks carefully at the entirety of Astaire's career from vaudeville to Broadway to Hollywood to television. He explores Astaire's relationships with his vivacious dance partners, his friendship with songwriters like George Gershwin and Irving Berlin and his relationship with choreographers like Hermes Pan to discover how Astaire, in effect, created his elegant persona. Astaire put his mark on the Hollywood musical, starting his career at RKO and then moving to MGM. From his long list of films, certain classics like "Swing Time", "Top Hat", "Royal Wedding" and "The Bandwagon" revolutionized the presentation of dance on film; but, he also revolutionized the television variety special with the Emmy-Award-Winning An Evening With Fred Astaire.

For Puttin' on the Ritz, veteran Hollywood insider, Peter Levinson interviewed over two hundred people who worked closely with Astaire such as Debbie Reynolds, Dick Van Dyke, Artie Shaw, Bobby Short, Oscar Peterson, Mel Ferrer, Betty Garrett, Joel Grey, Arlene Dahl, Michael Kidd, Betty Comden, Onna White, Margaret Whiting, Andy Williams, and others like Quincy Jones, John Travolta, and John Williams, to provide an intimate window on to his professional as well as his personal life. His new biography of Astaire is a celebration of the great era of sophistication on Broadway and in Hollywood as seen through the life of a man who learned how to put on the Ritz and become America's premiere song-and-dance-man: Fred Astaire.

Cabell Library GV1785.A83 L48 2009

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Fimi explores the evolution of Tolkien's mythology throughout his lifetime by examining how it changed as a result of his life story and contemporary cultural and intellectual history. This new approach and scope brings to light neglected aspects of Tolkien's imaginative vision and contextualizes his fiction.

Cabell Library PR6039.O32 Z644 2009

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This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance's symbiotic relationship with popular, theatrical stage dance forms.

Cabell Library GV1781 .B35 2009

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