In today's "post-feminist" society, women and men are considered equal. For younger women and men, feminism is often portrayed as unfashionable and irrelevant. But since the beginning of the new millennium a new generation have emerged to challenge these assumptions and assert a vibrant new agenda. This groundbreaking book reveals the what, why and how of the new feminist movement and what it has to say about women's lives in today's society. From cosmetic surgery to celebrity culture and girl power to globalization, from rape to religion and sex to singleness, this book reveals the seven vital issues at stake for today's feminists, unveils the beginnings of a fresh and diverse wave of feminism, and calls a new generation back to action.
Cabell Library HQ1155 .R43 2010
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An unforgettable coming-of-age story and a luminous portrayal of a dramatic era of American history, Rebecca Chace's Leaving Rock Harbor takes readers into the heart of a New England mill town in the early twentieth century.
When a mail bomb explodes in the campus office next door, Lee, an Asian American math professor at a second-tier university in the Midwest, comes under suspicion. The authorities believe he may be the infamous "brain bomber," an elusive terrorist whose primary targets are prominent scientists and mathematicians.
This is the first biography of one of the greatest English writers of the last century. Betty Coles became Elizabeth Taylor upon her marriage in 1936. Her first novel At Mrs. Lippincote's appeared in the same year (1945) as the actress Elizabeth Taylor was appearing in National Velvet. Over the next thirty years, "the other Elizabeth Taylor" lived and worked in Buckinghamshire and published several titles of fiction. Nicola Beauman's biography draws on a wealth of hitherto undiscovered material.
Group Portrait from Hell describes a world of human suffering--from the mythological Fall, through ancient cultural and individual histories up to the present--through failures of love to overcome our conflicts and mortalities. These conditions are alleviated by interludes of philosophical speculation, humor, and moments of mutual recognition and communion. But, overall, these carefully honed and often formal poems describe a tragic human condition rather than a "divine comedy" as our common fate.