Reviewed by Ken Hopson, Manager, Media and Reserve Services
Overheard, during the recent triple digit heat index, two perspiring library patrons comparing their tolerance of extreme temperatures on both ends of the thermometer, and I was reminded of a blustery video vignette titled The Blizzard. The Blizzard is one of eight visually stunning representations of personal dreams spun together as a single narrative film called Dreams (Yume), by noted Japanese director Akira Kurosawa.
All eight dreamlike stories in the film are metaphoric, with elements of Japanese folklore, and move so slowly that the viewer is practically forced to appreciate the artistic composition. In particular, The Blizzard is guaranteed to surpass your hard-working air-conditioner, leaving you apt to step out for some warmth. The story starts with a group of mountain climbers trying to find their way back to camp during a blinding snow storm. As they succumb to the cold and begin to collapse, the leader of the exhausted group encounters a snow woman. I won't give away the ending, but this story, along with the other seven, are visual and auditory masterpieces individually, and collectively.
There are few literary authors in whose work animals and other creatures play as prominent a role as they do in Franz Kafka's. Exploring multiple dimensions of Kafka's incorporation of nonhuman creatures into his writing, this volume is the first collection in English of essays devoted to illuminating this important and ubiquitous dimension of his work. The chapters here are written by an array of international scholars from various fields, and represent a diversity of interpretive approaches. In the course of exploring the roles played by nonhuman animals and other creatures in Kafka's writing, they help make sense of the literary and philosophical significance of his preoccupation with animals, and make clear that careful investigation of those creatures illuminates his core concerns: the nature of power; the inescapability of history and guilt; the dangers, promise, and strangeness of the alienation endemic to modern life; the human propensity for cruelty and oppression; the limits and conditions of humanity and the risks of dehumanization; the nature of authenticity; family life; Jewishness; and the nature of language and art. Thus the essays in this volume enrich our understanding of Kafka's work as a whole. Especially striking is the extent to which the articles collected here bring into focus the ways in which Kafka anticipated many of the recent developments in contemporary thinking about nonhuman animals. 
For more than 60 years, fanzines have been one of the most significant forms of self-expression. Often handmade and disseminated through underground networks, the fanzine is credited as being both the original medium for many of today s mainstream publications and the predecessor to the blogging craze. This highly visual compendium showcases the best, most thought provoking, and downright weirdest fanzines ever produced. With topics ranging from punk to personal politics, Fanzines includes both widely known fanzines as well as rare publications culled from passionate collectors. Spanning the history of the fanzine from the early experimentation with underground presses to contemporary and electronic fanzines, this is a comprehensive and unprecedented look at a fascinating phenomenon. 
The winter of 1940-41 was the season of the Blitz. From St Paul's Cathedral to the East End, from the very heart of the capital to the cities of the midlands, throughout the length and breadth of the land the bombs rained down as Germany attempted to bludgeon Britain into submission. As the civilian populations below cowered in their shelters or manned the fire services, there could be no doubt that this was an island under siege.
Historicizing Fat in Anglo-American Culture, edited by Elena Levy-Navarro, is the first collection of essays to offer a historical consideration of fat bodies in Anglophone culture. The interdisciplinary essays cover periods from the medieval to the contemporary, mapping out a new terrain for historical consideration. These essays question many of the commonplace assumptions that circulate around the category of fat: that fat exists as a natural and transhistorical category; that a premodern period existed which universally celebrated fat and knew no fatphobia; and that the thin, youthful body, as the presumptively beautiful and healthy one, should be the norm by which to judge other bodies.