<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>Book ReMarks</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/" />
    <link rel="self" type="application/atom+xml" href="http://www.library.vcu.edu/blog/remarks/atom.xml" />
    <id>tag:www.library.vcu.edu,2012-07-09:/blog/remarks/67</id>
    <updated>2013-05-06T18:18:38Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 5.2.3</generator>

<entry>
    <title>&apos;Lee&apos;s Cavalrymen : a History of the Mounted Forces of the Army of Northern Virginia, 1861-1865&apos; by Edward G. Longacre</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/05/lees-cavalrymen-a-history-of-the-mounted-forces-of-the-army-of-northern-virginia-1861-1865.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6787</id>

    <published>2013-05-20T14:00:23Z</published>
    <updated>2013-05-06T18:18:38Z</updated>

    <summary>Since the first histories of the Civil War appeared after Appomattox, the cavalry has received intermittent, uneven, and even romanticized coverage. Historian Edward G. Longacre has corrected this oversight. Lee&apos;s Cavalrymen, not only details the organizational and operational history of...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Non-Fiction" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Virginia Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><img alt="leescavalrymen.jpg" src="http://www.library.vcu.edu/blog/remarks/leescavalrymen.jpg" width="150" height="225" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />Since the first histories of the Civil War appeared after Appomattox, the cavalry has received intermittent, uneven, and even romanticized coverage. Historian Edward G. Longacre has corrected this oversight. Lee's Cavalrymen, not only details the organizational and operational history of the mounted arm of the Army of Northern Virginia but also examines the personal experiences of officers and men.</p>
<p>Longacre chronicles the salient characteristics of the regiments, brigades, and divisions, and explores the evolution of cavalry leadership, with emphasis on the personalities, interpersonal relationships, and operational styles of J. E. B. Stuart, Wade Hampton, Fitzhugh Lee, and other influential commanders. He has consulted dozens of collections of letters, diaries, and memoirs by cavalrymen of all ranks, and his careful study of North Carolina, Virginia, and Georgia newspapers unearthed rare cavalry-specific dispatches. Longacre also makes extensive use of an unpublished memoir of Gen. Wade Hampton, Stuart's second-in-command.</p>
<p>A provocative analysis of the mounted army's organization, leadership, and tactics, <em>Lee's Cavalrymen</em> is a study that no Civil War enthusiast will want to miss.</p>
<p><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21367408740001101"><span class="EXLAvailabilityLibraryName">Cabell Library</span> <span class="EXLAvailabilityCollectionName">General Collection</span> <span class="EXLAvailabilityCallNumber">(E470.2 .L66 2012)</span></a></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;The Marlowe Papers : a Novel&apos; by Ros Barber</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/05/the-marlowe-papers-a-novel-by-ros-barber.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6786</id>

    <published>2013-05-13T14:00:23Z</published>
    <updated>2013-05-06T18:00:16Z</updated>

    <summary>On May 30th, 1593, a celebrated young playwright was killed in a tavern brawl in London. That, at least, was the official version. Now Christopher Marlowe reveals the truth: that his &apos;death&apos; was an elaborate ruse to avoid being convicted...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><img alt="marlowe.papers.barber.jpg" src="http://www.library.vcu.edu/blog/remarks/marlowe.papers.barber.jpg" width="150" height="207" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />On May 30th, 1593, a celebrated young playwright was killed in a tavern brawl in London. That, at least, was the official version. Now Christopher Marlowe reveals the truth: that his 'death' was an elaborate ruse to avoid being convicted of heresy; that he was spirited across the Channel to live on in lonely exile; that he continued to write plays and poetry, hiding behind the name of a colourless man from Stratford - one William Shakespeare.</p>
<p>With the grip of a thriller and the emotional force of a sonnet, this remarkable novel in verse gives voice to a man who was brilliant, passionate and mercurial. A cobbler's son who counted nobles among his friends, a spy in the Queen's service, a fickle lover and a declared religious sceptic, he was always courting trouble. Memoir, love letter, confession, settling of accounts and a cry for recognition as the creator of some of the most sublime works in the English language, The Marlowe Papers brings Christopher Marlowe and his era to vivid life. Written by a poet and scholar, it is a work of exceptional art, erudition and imagination.</p>
<p><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21432788650001101">Cabell Library General Collection (PR6102.A73 M37 2013)</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Here Be Dragons : Exploring Fantasy Maps and Settings&apos; by Stefan Ekman</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/05/here-be-dragons-exploring-fantasy-maps-and-settings-by-stefan-ekman.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6785</id>

    <published>2013-05-06T17:40:50Z</published>
    <updated>2013-05-06T17:50:01Z</updated>

    <summary>Fantasy worlds are never mere backdrops. They are an integral part of the work, and refuse to remain separate from other elements. These worlds combine landscape with narrative logic by incorporating alternative rules about cause and effect or physical transformation....</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Non-Fiction" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><span style="line-height: 1.62;"><img alt="here-be-dragons-exploring-fantasy-maps-settings-stefan-ekman-paperback-cover-art.jpg" src="http://www.library.vcu.edu/blog/remarks/here-be-dragons-exploring-fantasy-maps-settings-stefan-ekman-paperback-cover-art.jpg" width="150" height="227" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />Fantasy worlds are never mere backdrops. They are an integral part of the work, and refuse to remain separate from other elements. These worlds combine landscape with narrative logic by incorporating alternative rules about cause and effect or physical transformation. They become actors in the drama--interacting with the characters, offering assistance or hindrance, and making ethical demands.</span></p>
<p><span style="line-height: 1.62;">In <em>Here Be Dragons</em>, Stefan Ekman provides a wide-ranging survey of the ubiquitous fantasy map as the point of departure for an in-depth discussion of what such maps can tell us about what is important in the fictional worlds and the stories that take place there. With particular focus on J. R. R. Tolkien's The Lord of the Rings, Ekman shows how fantasy settings deserve serious attention from both readers and critics. Includes insightful readings of works by Steven Brust, Garth Nix, Robert Holdstock, Terry Pratchett, Charles de Lint, China Mieville, Patricia McKillip, Tim Powers, Lisa Goldstein, Steven R. Donaldson, Robert Jordan, and Neil Gaiman and Charles Vess.</span></p>
<p><span style="line-height: 1.62;"><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21433041210001101" style="line-height: 1.62;">Cabell Library General Collection (PN3435 .E38 2013)</a></span></p>
<p></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;The Lincoln Conspiracy : a Novel&apos; by Timothy L. O&apos;Brien</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/04/the-lincoln-conspiracy-a-novel-by-timothy-l-obrien.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6752</id>

    <published>2013-04-29T14:00:02Z</published>
    <updated>2013-04-08T18:49:41Z</updated>

    <summary>A nation shattered by its president&apos;s murder. Two diaries that reveal the true scope of an American conspiracy. A detective determined to bring the truth to light, no matter what it costs himFrom award-winning journalist Timothy L. O&apos;Brien comes a...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><span id="freeText10319615476984396761"><img alt="lincoln.conspiracy.jpg" src="http://www.library.vcu.edu/blog/remarks/lincoln.conspiracy.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="224" width="150" />A nation shattered by its president's murder. Two diaries that reveal the true scope of an American conspiracy. A detective determined to bring the truth to light, no matter what it costs him<br /><br />From award-winning journalist Timothy L. O'Brien comes a gripping historical thriller that poses a provocative question: What if the plot to assassinate President Lincoln was wider and more sinister than we ever imagined?<br /><br />In late spring of 1865, as America mourns the death of its leader, Washington, D.C., police detective Temple McFadden makes a startling discovery. Strapped to the body of a dead man at the B&amp;O Railroad station are two diaries, two documents that together reveal the true depth of the Lincoln conspiracy. Securing the diaries will put Temple's life in jeopardy--and will endanger the fragile peace of a nation still torn by war.<br /><br />Temple's quest to bring the conspirators to justice takes him on a perilous journey through the gaslit streets of the Civil War-era capital, into bawdy houses and back alleys where ruthless enemies await him in every shadowed corner. Aided by an underground network of friends--and by his wife, Fiona, a nurse who possesses a formidable arsenal of medicinal potions--Temple must stay one step ahead of Lafayette Baker, head of the Union Army's spy service. Along the way, he'll run from or rely on Edwin Stanton, Lincoln's fearsome secretary of war; the legendary Scottish spymaster Allan Pinkerton; abolitionist Sojourner Truth; the photographer Alexander Gardner; and many others.<br /><br />Bristling with twists and building to a climax that will leave readers gasping, <em>The Lincoln Conspiracy</em> offers a riveting new account of what truly motivated the assassination of one of America's most beloved presidents--and who participated in the plot to derail the train of liberty that Lincoln set in motion</span></p>
<p><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21431693850001101">Cabell Library General Collection (PS3615.B79 L56 2012) </a></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Back to Blood : a Novel&apos; by Tom Wolfe</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/04/back-to-blood-a-novel-by-tom-wolfe.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6751</id>

    <published>2013-04-22T14:00:03Z</published>
    <updated>2013-04-08T18:26:42Z</updated>

    <summary>As a police launch speeds across Miami&apos;s Biscayne Bay-with officer Nestor Camacho on board-Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><img alt="back.to.blood.JPG" src="http://www.library.vcu.edu/blog/remarks/back.to.blood.JPG" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="234" width="150" />As a police launch speeds across Miami's Biscayne Bay-with officer Nestor Camacho on board-Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, <em>Back to Blood</em> is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.</p>
<p><a href="http://search.library.vcu.edu/primo_library/libweb/action/display.do?tabs=detailsTab&amp;ct=display&amp;fn=search&amp;doc=VCU_ALMA21431693490001101&amp;indx=38&amp;recIds=VCU_ALMA21431693490001101&amp;recIdxs=7&amp;elementId=&amp;renderMode=poppedOut&amp;displayMode=full&amp;fctN=facet_lcc&amp;dscnt=0&amp;vl%2855784753UI2%29=any&amp;frbrVersion=&amp;rfnGrp=1&amp;fctV=P%2B-%2BLanguage%2Band%2Bliterature.&amp;scp.scps=scope%3A%28VCU%29&amp;tab=all&amp;dstmp=1365445396640&amp;srt=date&amp;mode=Advanced&amp;gathStatTab=true&amp;vl%281UIStartWith1%29=contains&amp;tb=t&amp;vl%281UIStartWith3%29=contains&amp;rfnGrpCounter=1&amp;vl%28freeText0%29=%22a%2Bnovel%22&amp;vid=VCU&amp;vl%28freeText2%29=&amp;vl%2855786477UI4%29=2-YEAR&amp;vl%2829005240UI0%29=title&amp;vl%2855786478UI5%29=books&amp;frbg=&amp;vl%2853681228UI1%29=any&amp;vl%281UIStartWith2%29=contains&amp;dum=true&amp;vl%28freeText3%29=&amp;vl%2855786457UI3%29=any&amp;vl%2853681231UI6%29=eng&amp;vl%281UIStartWith0%29=contains&amp;Submit=Search&amp;vl%28freeText1%29=">Cabell Library General Collection (PS3573.O526 B33 2012)</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Narcopolis : a Novel&apos; by Jeet Thayil </title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/04/narcopolis-a-novel-by-jeet-thayil.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6750</id>

    <published>2013-04-15T14:00:02Z</published>
    <updated>2013-04-08T17:55:23Z</updated>

    <summary>Jeet Thayil&apos;s luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. This is a book about drugs, sex, death, perversion, addiction, love, and god, and has more in common in its subject...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><img alt="Thayil-Narcopolis.jpg" src="http://www.library.vcu.edu/blog/remarks/Thayil-Narcopolis.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="232" width="150" />Jeet Thayil's luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. This is a book about drugs, sex, death, perversion, addiction, love, and god, and has more in common in its subject matter with the work of William S. Burroughs or Baudelaire than with the subcontinent's familiar literary lights. Above all, it is a fantastical portrait of a beautiful and damned generation in a nation about to sell its soul. Written in Thayil's poetic and affecting prose, Narcopolis charts the evolution of a great and broken metropolis.<br /><br /> Narcopolis opens in Bombay in the late 1970s, as its narrator first arrives from New York to find himself entranced with the city's underworld, in particular an opium den and attached brothel. A cast of unforgettably degenerate and magnetic characters works and patronizes the venue, including Dimple, the eunuch who makes pipes in the den; Rumi, the salaryman and husband whose addiction is violence; Newton Xavier, the celebrated painter who both rejects and craves adulation; Mr. Lee, the Chinese refugee and businessman; and a cast of poets, prostitutes, pimps, and gangsters.<br /><br /> Decades pass to reveal a changing Bombay, where opium has given way to heroin from Pakistan and the city's underbelly has become ever rawer. Those in their circle still use sex for their primary release and recreation, but the violence of the city on the nod and its purveyors have moved from the fringes to the center of their lives. Yet Dimple, despite the bleakness of her surroundings, continues to search for beauty--at the movies, in pulp magazines, at church, and in a new burka-wearing identity.<br /><br /> After a long absence, the narrator returns in 2004 to find a very different Bombay. Those he knew are almost all gone, but the passion he feels for them and for the city is revealed.</p>
<p><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21358885040001101">Cabell Library General Collection (PR9499.3.T536 N37 2012)</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>Watergate : a novel&apos; by Thomas Mallon</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/04/watergate-a-novel.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6749</id>

    <published>2013-04-08T17:31:15Z</published>
    <updated>2013-04-08T17:46:30Z</updated>

    <summary>From one of our most esteemed historical novelists, a remarkable retelling of the Watergate scandal, as seen through a kaleidoscope of its colorful perpetrators and investigators. For all the monumental documentation that Watergate generated--uncountable volumes of committee records, court transcripts,...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<p><img alt="watergate.JPG" src="http://www.library.vcu.edu/blog/remarks/watergate.JPG" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" height="206" width="150" />From one of our most esteemed historical novelists, a remarkable retelling of the Watergate scandal, as seen through a kaleidoscope of its colorful perpetrators and investigators.</p>
<p>For all the monumental documentation that Watergate generated--uncountable volumes of committee records, court transcripts, and memoirs--it falls at last to a novelist to perform the work of inference (and invention) that allows us to solve some of the scandal's greatest mysteries (who did erase those eighteen-and-a-half minutes of tape?) and to see this gaudy American catastrophe in its human entirety.</p>
<p>In <em>Watergate</em>, Thomas Mallon conveys the drama and high comedy of the Nixon presidency through the urgent perspectives of seven characters we only thought we knew before now, moving readers from the private cabins of Camp David to the klieg lights of the Senate Caucus Room, from the District of Columbia jail to the Dupont Circle mansion of Theodore Roosevelt's sharp-tongued ninety-year-old daughter ("The clock is dick-dick-dicking"), and into the hive of the Watergate complex itself, home not only to the Democratic National Committee but also to the president's attorney general, his recklessly loyal secretary, and the shadowy man from Mississippi who pays out hush money to the burglars.</p>
<p><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21430804950001101">Cabell Library General Collection (PS3563.A43157 W38 2012 ) </a></p>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;The Invisibles : Stories&apos; by Hugh Sheehy</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/03/the-invisibles-stories-by-hugh-sheehy.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6663</id>

    <published>2013-03-18T14:00:00Z</published>
    <updated>2013-01-09T22:05:49Z</updated>

    <summary>Though Hugh Sheehy&apos;s often tragic, sometimes gruesome stories feature bloodied knives and mysterious disappearances, at the heart of these thoughtful thrillers are finely crafted character studies of people who wrestle with the darker aspects of human nature--grief, violence, loneliness, and...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Short Stories" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<img alt="qp.invisibles.JPG" src="http://www.library.vcu.edu/blog/remarks/qp.invisibles.JPG" width="150" height="221" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div>Though Hugh Sheehy's often tragic, sometimes gruesome stories feature bloodied knives and mysterious disappearances, at the heart of these thoughtful thrillers are finely crafted character studies of people who wrestle with the darker aspects of human nature--grief, violence, loneliness, and the thoughts of crazed minds.</div><div><br /></div><div>Sheehy's stories shine a spotlight on the bleak fringes of America, giving voice to the invisibles who need it most. A dismal assistant teacher spiking her coffee after school is suddenly locked in a basement with a student who has just witnessed his father's murder. A seventeen-year-old girl at a skate rink whose name no one can remember is motherless, friendless, and sure she will be the next to go. The heartbroken victim of a miscarriage dreams of her fetus's voyage through the earth's plumbing. The estranged addict son, certain of his innate goodness, loses himself in a blizzard and fails his family again. Sheehy's characters learn that however invisible they may feel and whatever their intentions, their actions incur a cost both to themselves and those around them. They struggle to tame or come to terms with the forces they meet--the tragedies--that are far larger than their small existences. In this debut, Sheehy illuminates the all-but-silent note of adult loneliness and how we cope with it or, perhaps, just move past it.</div><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21431411100001101">Cabell Library General Collection (PS3619.H444 I58 2012)</a></div> ]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Sex/gender : biology in a social world&apos; by Anne Fausto-Sterling</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/03/sexgender-biology-in-a-social-world-by-anne-fausto-sterling.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6664</id>

    <published>2013-03-11T14:00:00Z</published>
    <updated>2013-01-09T22:06:11Z</updated>

    <summary>Sex/Gender presents a relatively new way to think about how biological difference can be produced over time in response to different environmental and social experiences.This book gives a clearly written explanation of the biological and cultural underpinnings of gender. Anne...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Non-Fiction" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<img alt="qp.sex.gender.jpg" src="http://www.library.vcu.edu/blog/remarks/qp.sex.gender.jpg" width="150" height="225" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div><i>Sex/Gender</i> presents a relatively new way to think about how biological difference can be produced over time in response to different environmental and social experiences.</div><div><br /></div><div>This book gives a clearly written explanation of the biological and cultural underpinnings of gender. Anne Fausto-Sterling provides an introduction to the biochemistry, neurobiology, and social construction of gender with expertise and humor in a style accessible to a wide variety of readers. In addition to the basics, <i>Sex/Gender</i> ponders the moral, ethical, social and political side to this inescapable subject.</div><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21372264760001101">Cabell Library General Collection (HQ1075 .F387 2012)</a></div> ]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Telegraph Avenue : a Novel&apos; by Michael Chabon</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/03/telegraph-avenue-a-novel-by-michael-chabon.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6662</id>

    <published>2013-03-04T15:00:00Z</published>
    <updated>2013-01-09T22:05:26Z</updated>

    <summary>As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there--longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<div><img alt="qp.telegraph.avenue.jpg" src="http://www.library.vcu.edu/blog/remarks/qp.telegraph.avenue.jpg" width="150" height="227" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div>As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there--longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart--half tavern, half temple--stands Brokeland.</div><div><br /></div><div>When ex-NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life.</div><div><br /></div><div>An intimate epic, a NorCal <i>Middlemarch</i> set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own, <i>Telegraph Avenue</i> is the great American novel we've been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon's most dazzling book yet.</div></div><div><br /></div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21393024370001101">Cabell Library General Collection (PS3553.H15 T45 2012)</a>]]>
        
    </content>
</entry>

<entry>
    <title>&apos;The Black Cultural Front : Black Writers and Artists of the Depression Generation&apos; by Brian Dolinar</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/02/the-black-cultural-front-black-writers-and-artists-of-the-depression-generation-by-brian-dolinar.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6665</id>

    <published>2013-02-18T15:00:00Z</published>
    <updated>2013-02-15T20:21:23Z</updated>

    <summary>Celebrating Black History Month at the VCU LibrariesThe Black Cultural Front describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Black History Month" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Non-Fiction" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<div><b>Celebrating Black History Month at the VCU Libraries</b></div><div><br /><img alt="qp.black.cultural.jpg" src="http://www.library.vcu.edu/blog/remarks/qp.black.cultural.jpg" width="150" height="239" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div><i>The Black Cultural Front</i> describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs brought together black and white writers in writing collectives. The Congress of Industrial Organizations's effort to recruit black workers inspired growing interest in the labor movement. One of the most concerted efforts was made by the National Negro Congress (NNC), a coalition of civil rights and labor organizations, which held cultural panels at its national conferences, fought segregation in the culture industries, promoted cultural education, and involved writers and artists in staging mass rallies during World War II.</div><div><br /></div><div>The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of them were card-carrying members of the Communist Party, they all participated in the Left at one point in their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses who were captivated by the movies, radio, newspapers, and detective novels. There are chapters on the Hughes' "Simple" stories, Himes' detective fiction, and Harrington's "Bootsie" cartoons.</div><div><br /></div><div>Collectively, the experience of these three figures contributes to the story of a "long" movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left and how it affected each individual involved. Each was radicalized at a different moment and for different reasons. Each suffered for their past allegiances, whether fleeing to the haven of the "Black Bank" in Paris, or staying home and facing the House Un-American Activities Committee (HUAC). Yet the lasting influence of the Depression in their work was evident for the rest of their lives.</div></div><div><br /></div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21372251080001101">Cabell Library General Collection (PS153.N5 D595 2012)</a>&nbsp;]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Jazz Griots : Music as History in the 1960s African American Poem&apos; by Jean-Philippe Marcoux</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/02/jazz-griots-music-as-history-in-the-1960s-african-american-poem-by-jean-philippe-marcoux.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6689</id>

    <published>2013-02-04T13:00:00Z</published>
    <updated>2013-01-25T21:59:38Z</updated>

    <summary>Celebrating Black History Month at the VCU LibrariesThis book studies how four representative African American poets of the 1960s, Langston Hughes, Umbra&apos;s David Henderson, and the Black Arts Movement&apos;s Sonia Sanchez, and Amiri Baraka engage, in the tradition of griots,...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Black History Month" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Non-Fiction" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<div><b>Celebrating Black History Month at the VCU Libraries</b></div><span style="font-size: 13px;"><div><span style="font-size: 13px;"><br /></span></div></span><img alt="jazz griots.jpg" src="http://www.library.vcu.edu/blog/remarks/jazz%20griots.jpg" width="150" height="239" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><span style="font-size: 13px;">This book studies how four representative African American poets of the 1960s, Langston Hughes, Umbra's David Henderson, and the Black Arts Movement's Sonia Sanchez, and Amiri Baraka engage, in the tradition of griots, in poetic dialogues with aesthetics, music, politics, and Black History. In so doing they narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity--on a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response becomes a definitional literary template for these poets, as it allows both the possibility of intergenerational dialogues between poets and musicians and dialogic potential between song and politics, between Africa and Black America, between vernacular continuums, in their poems.</span><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21357806630001101" style="font-size: 13px;">Cabell Library General Collection (PS310.J39 M37 2012)</a></div> ]]>
        
    </content>
</entry>

<entry>
    <title>&apos;NW : a Novel&apos; by Zadie Smith</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/01/nw-a-novel-by-zadie-smith.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6661</id>

    <published>2013-01-28T15:00:00Z</published>
    <updated>2013-01-09T20:59:30Z</updated>

    <summary><![CDATA[This is the story of a city.The northwest corner of a city. Here you'll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all. &nbsp;And many people...]]></summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<img alt="qp.nw.smith.JPG" src="http://www.library.vcu.edu/blog/remarks/qp.nw.smith.JPG" width="150" height="227" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div>This is the story of a city.</div><div><br /></div><div>The northwest corner of a city. Here you'll find guests and hosts, those with power and those without it, people who live somewhere special and others who live nowhere at all. &nbsp;And many people in between.</div><div><br /></div><div>Every city is like this. Cheek-by-jowl living. Separate worlds.</div><div><br /></div><div>And then there are the visitations: the rare times a stranger crosses a threshold without permission or warning, causing a disruption in the whole system. Like the April afternoon a woman came to Leah Hanwell's door, seeking help, disturbing the peace, forcing Leah out of her isolation...</div><div><br /></div><div>Zadie Smith's brilliant tragi-comic new novel follows four Londoners - Leah, Natalie, Felix and Nathan - as they try to make adult lives outside of Caldwell, the council estate of their childhood. From private houses to public parks, at work and at play, their London is a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end.</div><div><br /></div><div>Depicting the modern urban zone - familiar to town-dwellers everywhere - Zadie Smith's NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.</div><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21369325450001101">Cabell Library General Collection (PR6069.M59 N84 2012)</a></div> ]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Windeye : Stories&apos; by Brian Evenson</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/01/windeye-stories-by-brian-evenson.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6660</id>

    <published>2013-01-21T15:00:00Z</published>
    <updated>2013-01-09T20:50:30Z</updated>

    <summary>A woman falling out of sync with the world; a king&apos;s servant hypnotized by his murderous horse; a transplanted ear with a mind of its own--the characters in these stories live as interlopers in a world shaped by mysterious disappearances...</summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Short Stories" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<img alt="qp.windeye.jpg" src="http://www.library.vcu.edu/blog/remarks/qp.windeye.jpg" width="150" height="225" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div>A woman falling out of sync with the world; a king's servant hypnotized by his murderous horse; a transplanted ear with a mind of its own--the characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.</div><div><br /></div><div>Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice," Brian Evenson is the author of ten books of fiction. He has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award, and the winner of the International Horror Guild Award, and the American Library Association's award for Best Horror Novel. <i>Fugue State</i> was named one of Time Out New York's Best Books of 2009. The recipient of a National Endowment for the Arts fellowship and three O. Henry Prizes, including one for the title story in "Windeye," Evenson lives in Providence, Rhode Island, where he directs Brown University's Literary Arts Department.</div><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21360996160001101">Cabell Library General Collection (PS3555.V326 W56 2012)</a></div> ]]>
        
    </content>
</entry>

<entry>
    <title>&apos;Stormy Weather &amp; Other Stories&apos; by Lisa Alther</title>
    <link rel="alternate" type="text/html" href="http://www.library.vcu.edu/blog/remarks/2013/01/stormy-weather-other-stories-by-lisa-alther.html" />
    <id>tag:www.library.vcu.edu,2013:/blog/remarks//67.6659</id>

    <published>2013-01-14T15:00:00Z</published>
    <updated>2013-01-09T20:34:21Z</updated>

    <summary><![CDATA[Stormy Weather &amp; Other Stories is probably as close as Lisa Alther will ever come to writing an autobiography. These stories, written over the course of her career, are set in the three places that have meant the most to...]]></summary>
    <author>
        <name>John Glover</name>
        
    </author>
    
        <category term="Fiction and Literature" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Quick Picks" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Short Stories" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.library.vcu.edu/blog/remarks/">
        <![CDATA[<img alt="qp.stormy-weather.jpg" src="http://www.library.vcu.edu/blog/remarks/qp.stormy-weather-other-stories-lisa-alther-hardcover-cover-art.jpg" width="150" height="230" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /><div><i>Stormy Weather &amp; Other Stories</i> is probably as close as Lisa Alther will ever come to writing an autobiography. These stories, written over the course of her career, are set in the three places that have meant the most to her. The first five stories reflect Alther s early years growing up in the Southern mountains close to nature, using animal imagery to make sense of her world. Four stories are set in Vermont in the milieu that shaped her as a young adult. Marinated in the politics of the 1970s the Back-to-the-Land days of hippies, communes, and the Women s Movement these stories portray the optimistic explorations of alternative models for parenthood, relationships, and sexuality that flourished during those years.&nbsp;</div><div><br /></div><div>The final three stories are set in New York City, where her characters, unmoored by nature or by tight-knit communities of like-minded friends, search for meaning within the privacy of their own souls. All the stories are loosely linked, with a minor character in one sometimes emerging to play a major role in another. Most of these stories were published in journals or anthologies, though three are previously unpublished. Birdman and the Dancer, the novella that closes the volume, has been published in Dutch, Danish, and German, but is appearing here in English for the first time. Inspired by a series of monotypes by the French artist, Francoise Gilot, it was written while many Americans were mesmerized by the television coverage of Operation Desert Storm in 1991. It embodies Alther s metaphoric response to the Gulf War, and to violence in general.</div><div><br /></div><div><a href="http://www.library.vcu.edu/phpapps/webscripts/search.php?scope=item&amp;search=VCU_ALMA21430816760001101">Cabell Library General Collection (PS3551.L78 S76 2012)</a></div>]]>
        
    </content>
</entry>

</feed>
