Enemies is the first definitive history of the FBI's secret intelligence operations, from an author whose work on the Pentagon and the CIA won him the Pulitzer Prize and the National Book Award.
We think of the FBI as America's police force. But secret intelligence is the Bureau's first and foremost mission.Enemies is the story of how presidents have used the FBI to conduct political warfare, and how the Bureau became the most powerful intelligence service the United States possesses.
Here is the hidden history of America's hundred-year war on terror. The FBI has fought against terrorists, spies, anyone it deemed subversive--and sometimes American presidents. The FBI's secret intelligence and surveillance techniques have created a tug-of-war between national security and civil liberties. It is a tension that strains the very fabric of a free republic.
The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley's gothic masterpiece, Frankenstein. 
The addition of the word "dystopia" to our common, everyday vocabulary is indicative of both a dark turn taken by our popular culture, and a broader pessimistic turn in the general mood. As evidenced by the success of dark cinematic visions of the future-from Blade Runner (1982), to the Terminator sequence, to the Matrix trilogy-something in our natures respond to stories based in such visions of the future. The events of recent times -- September 11, 2001 being the most telling example - and their attendant sharpening of focus on such concepts as national security versus the privacy of citizens, have certainly contributed to the pervasive sense of anxiety that seems to have developed in our society, and which seems so readily to find catharsis in dystopian dramas. However, as this volume shows, the concept of dystopia is much older. To be dystopian, a work needs to foreground the oppressive society in which it is set, using that setting as an opportunity to comment in a critical way on some other society, typically that of the author and/or the audience. In other worlds, the bleak dystopian world should encourage the reader or viewer to think critically about it, then to transfer this critical thinking to his or her own world.
Since the first histories of the Civil War appeared after Appomattox, the cavalry has received intermittent, uneven, and even romanticized coverage. Historian Edward G. Longacre has corrected this oversight. Lee's Cavalrymen, not only details the organizational and operational history of the mounted arm of the Army of Northern Virginia but also examines the personal experiences of officers and men.
Fantasy worlds are never mere backdrops. They are an integral part of the work, and refuse to remain separate from other elements. These worlds combine landscape with narrative logic by incorporating alternative rules about cause and effect or physical transformation. They become actors in the drama--interacting with the characters, offering assistance or hindrance, and making ethical demands.
